(活動詳情請參閱以下英文介紹)
We are delighted to invite you to an evening with visiting artist Sara Lanner (b. 1991, Austria), concluding her one-month residency at HART Social Studio.
As a visual artist and choreographer, Lanner uses the body to engage performance art as an architectural medium, translating different functions of spaces–used or abandoned, power dynamics within certain usage by communities, and as the centre of collective thoughts for framing diverse personalities. The performance INWEAVE demonstrates Lanner’s interim research in Hong Kong, followed by an artist-led sharing session. “Interweave” as a recurring subject in her performances, Lanner’s choreography combines histories of locality, found materials from the everyday, and her cultural experiences/clashes during the research process. Lanner therefore tries to pose a question: how can art deconstruct social conventions, while reconstructing them with care and social justice, promoting positive impacts for the future?
Date: 29 Dec 2022, Thurs
Time: 7:30-8:30pm (15-min performance, followed by artist’s presentation and roundtable sharing with the audience)
Location: HART Haus
This event will be facilitated in English.
moderated by Chan Sai Lok (artist, art critic, writer)
Ink is a unique artistic medium. Works by ink artist(s) and practitioners have always become the ways to explore the relationships between traditional and contemporary practices, and to study the complexity of the multifaceted contemporary cultural contexts. HART artitsts-in-residence Chui Pui Chee and Natalie Chu are graduates from The Chinese University of Hong Kong yet growing up from different environments. How have they learnt about Chinese art? How do they transform these concepts and expressions with along history in their creative approaches and languages?
由阿三（藝術家、藝評人、作家）主持
水墨是獨特的藝術類型。關注及從事水墨的藝術家，一直以作品詮釋傳統與創新的關係，及思考如何面向複雜多變的當代文化情境。本對談的兩位HART駐場藝術家同為中大藝術系畢業生，卻成長於不同環境，他們怎樣學習及理解中國藝術？又如何將歷代觀念與表達形式，轉化為個人創作的方法和語言？
Artist and architect Justin Hui will be sharing his new photobook “New Territories”, published by Asia One. The series of images from the title explores the changing landscape of Hong Kong's northern frontier, caught between its past and ongoing integration with mainland China. It is a journey across the ruins of fading memories of what once was to discover the meaning of home in a city that is ever changing.
HART Alumni Artist Tap Chan’s works of sculpture and installation explore boundaries between fiction and reality, through using numerous commonly found and unusual equipment. She collects tools for specific usage from around the world, and hopes to display these small working companions at the upcoming sharing session “Tool Information Kiosk”, to share with our audience and peer creatives her experiences and tips!
HART 之友藝術家陳沁昕素來以雕塑和裝置藝術作品來探索虛構與現實間的界線，因而接觸過無數常見或生僻的工具。她於世界各地搜羅了各種用途獨特的器材，並藉著今次“工具詢問處”的分享活動展示這些創作藝術不可或缺的小伙伴，與我們的觀眾及同儕創作人交流使用心得及貼士！
A salon is not a teaching course, but a cultural gathering for sharing ideas and making friends of similar interests. This salon will be led by guest art practitioners to share topics ranging from Kazimir Malevich’s Suprematism, Czech New Wave films, and the fictions of Bruno Schulz. This will be a cosy gathering for all-levels and all will co-learn during discussions. Reading materials will be provided beforehand and we highly encourage you to participate in all three sessions as a complete cultural journey.
沙龍不是教學課程，而是希望參與者都分享想法、認識同好的文藝聚會。沙龍會將由藝術工作者嘉賓分享馬列維奇的至上主義、捷克新浪潮電影以及布魯諾・舒爾茨的小說等題目。這將是一個氣氛輕鬆、深入淺出的聚會，希望與參加者從討論中切磋琢磨。我們會提供事前閱讀材料。我們強烈推薦你參與完整三節的沙龍獲取完整體驗。
The Opening Reception of HART Social Studio Showcase “Six Happenings” will be accompanied by “The Uncanny HAUS”, three performances by HART artists Natasha Cheung and Liao Jiaming, with US and Hong Kong-based artist Anlan Huang. The three artists use the heterogenous medium of performance in conjunction with lens based media to explore the theory of the uncanny valley, a model in aesthetics that suggests that objects that imperfectly resemble human likeness provoke a sense of unease or uncanniness to the viewer. Through digital and physical augmentation, AI distortion, and humorous personification, the artists invite the audience to consider how our identities are constructed through history, culture and it’s technologies.
匯舍聯展「六序」開幕禮中，HART匯舍藝術家張穎曦和廖家明，以及駐美國和香港的藝術家黃安瀾將特別演出三段表演「不可思議之HAUS」。三位藝術家將使用同質的表演媒介，以及鏡頭相關的媒介探索恐怖谷理論。這個美學理論指出物件倘若相似人類而稍有偏差，將帶來不安和恐懼的觀感。透過數碼和物理的加成、人工智能的失真，和灰諧的擬人手法，藝術家邀請觀眾反思歷史、文化和科技如何建構我們的身份。
HART is delighted to present “Six Beginnings”, the last group showcase in 2022 featuring works by six artists born in 1990s to 2000s, including new HART social studio artists Eunice Lai, Liao Jiaming, and fresh graduates of BA programme - HART Award recipients Natalie Chu Lok Ting, duo Tracy Cheng & Shera Cho, and Wong Kwok Ming from The Chinese University of Hong Kong and Academy of Visual Arts at Hong Kong Baptist University. The selection of works presents a showcase of multi-disciplinary approaches and in-situ installations, within HART Haus’ arthouse environment to incubate Hong Kong-based artists, and cultivate sustainable creativities, exchanges, and experimentations.
「六序」是HART 2022年最後一次匯舍聯展，展出六位於1990年至2000年出生的HART匯舍駐場藝術家作品包括黎曉蓉和廖家明及應屆藝術系畢業生：分別來自香港中文大學和香港浸會大學的HART大獎得獎者朱樂庭、雙人組合鄭樂怡和左沁悅及黃國銘。是次展示挑選的作品表現了跨媒介和場域特定的方式，貫徹HART Haus作為一個培育香港藝術家可持續創作、交流及充滿實驗性的藝術空間。
(詳細介紹請參閱英文版本)
Join us for a mini showcase of imagery through the lens of JJM for a journey without prejudice, and allow our minds to wander and experience the works of a woman, who is passionate about how light, shadow and time work in relation to people, culture, architecture and nature. A connection is made between the artist and her camera, where she leaves behind her many identities and titles to submerge in photography that tells stories. A plain and simple objective that brings perfect coincidences to her lens words cannot express.
In this new edition of calligraphy course led by HART Social Studio artist Dr. Chui Pui-chee, joiners will be offered a more intensive writing practice with one-to-one tutorial from the artist. Conducted in Cantonese, the course is taught across 10 sessions beginning in October 2022.
行書課程，講解趙孟頫前後赤壁賦的用筆與結體，示範書寫動作及細節。每位學員需要於堂上書寫研習，導師作個別指導。課程下半部份集中分析趙孟頫行書用筆的細節部份，並指導學員完成仿作作品。
Peer to Peer: UK/HK 2022 is a collaborative programme connecting visual artists and arts organisations across the UK and Hong Kong. This programme aims to encourage meaningful cultural exchange and forge enduring partnerships between the UK and Hong Kong’s visual arts sectors.
To celebrate the culmination of the programme of international exchange and collaboration, we invite you to join us in an online festival from 26th September – 9th October 2022.
「Peer to Peer: UK/HK 2022」是一個連結英國、香港視覺藝術家及藝術組織的交流合作計劃，以鼓勵創意先行的英港雙邊藝術交流計劃，並希望能透過視覺藝術作為媒介建立持久合作伙伴關係。
這雙邊藝術交流合作計劃終極成果將於2022年9月26日 至 10月9日以網上藝術節形式隆重登場，誠邀各界登入參與。
Join HART Social Studio artist and certified Golden Artist Educator Merryn Trevethan in this jam-packed hands-on introduction to acrylic paints and mediums!
No matter if you are complete beginners or artists with experimental spirits, you will have fun exploring innovative ways to use acrylics in this workshop. While exploring with colours, the participants will be introduced to and hence discover the different textural effects possible with a wide range of paints, gels, pastes and grounds. You can learn about the possibilities of changing the viscosity of your paints by creating washes, glazes as well as how to create thick textures with pastes and gels. The possibilities are endless!
邀請大家參與由 Golden 藝術教育家（GOLDEN Artist Educator）Merryn Trevethan 主持、環節緊湊的塑膠彩與調合劑體驗班！
無論你是初學者，還是富實驗精神的藝術家，你也能在使用塑膠彩發揮創意時得到樂趣。參加者在運用色彩的期間，將會認識各種顏料、凝膠、糊劑與底料，以及它們多變的紋理效果。你可以了解如何透過改變顏料的黏度，製造波紋、上釉，以及使用凝膠和糊劑創作不同厚度的紋理，展現無窮的可能性。
Touching, Splitting, Forming;
Whispering, Lingering, Transforming.
In this experimental showcase, artists use bodies as canvas, walk through the feelings of anxiety as well as powerlessness, to express their feelings about different senses of the body. Perhaps some body parts may heal during the journey, while some remain lingering with us throughout the transformation.
Curated by Christy Hui, the key visual is an extension of her photography work from Body Canvas 1.0 series. This exhibition collaborates with six artists from various disciplines, representing their ideas on “body” in visual, acoustic and tactile experiences, creating a multi-sensory experience, which may reconstruct your recognition of “body”.
觸碰、割裂、形成；
呢喃、徘徊、轉化。
藝術家以身體為畫布，在這個實驗空間創作，經過焦慮、無力，表達各自對感官的看法。或許有些部分會被治癒，邀請你一同經歷作品轉化，留下來的部分 。
由許穎雯策劃，主視覺延伸自她在「身體畫布1.0 - 影上身」系列的攝影作品。是次展覽與六個不同媒介的藝術家合作，分別以視覺、聽覺和觸覺出發，混合各種感官體驗，重構你們對「身體」的認知。
We all have and only have one body of flesh, powerful yet fragile. Incidents left us with wounds, stagnated and frozen in time; words are rendered invalid and lost. How shall we embrace our shattered pieces, continue to breathe, and live in this world?
Curated by Gigi Tang, “Breathing Flesh” has invited three emerging artists, together with the curator, to share their response to the seemingly unavoidable pain of life through different artistic mediums including ceramics, lacquer painting and performance art.
Returning to the roots of life, may we all someday arrive at a place of peace, where the light gets in.
我們都擁有且僅擁有一副肉身，強大又脆弱。事件在我們裏面留下大小不一的傷口，凝結在時光之中；身體一度失重，話語失效，或散落一地。如何擁抱殘缺，繼續呼吸，在這世界裏活下去？
由鄧捷策劃的本次展覽《肉身呼吸》邀來三位以陶藝、漆畫、表演藝術等不同媒介創作的年輕藝術家，連同策展人一起，各自以他們的方式，透過創作，面對和回應生命中似乎難以避免的傷痛。
回歸生命根基，願我們終能到達一個平安的地方，那裏是光之所在。
We all have our own ways of recording an instant - through writing or illustration, snapping or filming. Each instant becomes unique moments due to its geographical settings, structural characteristics, interrelationship with the surroundings, as well as one‘s perception. The captured moments linger in our minds, along with the memories they resemble. We relive the moments as we go through the records in different media, yet our impressions evolve with the passage of time or the change in context.
The showcase features the works of Anthony Lee, with a series of his memory fragments. The collection of mix-media pieces invites visitors to experience his stories through visual, acoustic and tactile sensations.
我們總有屬於自己的方式，或書寫繪畫、或拍攝錄影，記錄著某人感受、某刻瞬間、某地氛圍。而被記錄的事物，因其獨特的地緣特質、自身結構、乃至與周遭物件環境的相互關係，在我們不同的身心狀態下牽引著，留下或深或淺的回憶。當我們在不同媒介翻開每個記下來的事物，就會有重而新的體驗，宛然亦不然。他們的特性，或許因爲時空的距離，我們記憶中的質感也產生了變化。而一系列富質感的收集輯錄，讓我們在不同的物件當中能找到某些共性，促使著記憶和質感的豐富與昇華。
是次展覽以李珈的混媒體作品，抽取了他的一系列記憶切片。從視、聽、觸，三覺，重塑他對特定事物的感知體驗，訴説屬於他與它們的故事，同時藉此為觀衆締造一個難忘的多感官藝術體驗。
We are thrilled to bring to you our first Social Studio Showcase in 2022. “Trans/versal”, an open-ended idea that speaks about our individual experiences connected through a shared community, suggesting that beyond culture and place there is a common line that allows for shared human experience and our need for community that transcends artificial borders.
Thirteen of our HART Social Studio Programme artists will present their works, oscillating from paintings, sculptures, and installations, all created throughout the artists’ day-to-day art-marking in HART Haus.
我們很高興為帶來2022年第一個HART匯舍展示！《Trans/versal》是一個開放的概念，訴說我們透過共享社區而連繫的個人經驗。主題亦暗示了一條超越文化和地域的共享線，容許人文經驗和社群需求跨過本為虛構的界線。
十三位HART匯舍的藝術家將展示他們在HART Haus 日常創作的成果，當中包括繪畫、雕塑、裝置藝術等。
Curated by Lesley Cheung, Rituals of Passage - A Graduation Show of the Plague Year is a mise-en-scène of resilient living. Contemplating on disruption and discomfort during the plague years of 2019-2021 in Hong Kong, 6 artists stage their perspectives on self-discovery, coping strategies and meaning making.
由 Lesley Cheung 策畫，「Rituals of Passage - A Graduation Show of the Plague Year」呈現具韌力的生活場景。反思 2019-2021 年香港疫情期間的混亂和不適，六位藝術家展示了他們對自我發現、應對策略和意義創造的看法。
Are you ready for more shows to come in 2022? Come visit our Final Project #2 - 𝙉𝙤𝙩𝙝𝙞𝙣𝙜 𝙃𝙖𝙨 𝙃𝙖𝙥𝙥𝙚𝙣𝙚𝙙 presented by CIP graduate Emilie Choi Sin Yi. Opening on Jan 5th at 7pm at HART Haus.
𝘕𝘰𝘵𝘩𝘪𝘯𝘨 𝘏𝘢𝘴 𝘏𝘢𝘱𝘱𝘦𝘯𝘦𝘥 is a novel written by Hong Kong writer Chan Koon-chung, depicting a dying man who has recalled the social turbulence of Hong Kong from 1984 to 1998, and interweaving the historical events with personal memory. Beyond the grand narrative, how can we perceive the complex historical trajectory through an individual? This exhibition unfolds with moving image works by Chan Tze-woon and performance art by Florence Lam, connecting as a maze of memory. It examines the unspoken present social discourse in the lens of two different mediums — moving image and body. Between the visible and the disgusted, history is like "nothing has happened".
準備好迎接2022年一系列新展覽了嗎？歡迎𦲷臨參觀由學員蔡倩怡策畫的「什麼都沒有發生」。此展覽是「策展培育計劃」系列的第二個成果展，將於1月5日下午7時在HART Haus開幕。
《什麼都沒有發生》是陳冠中的同名小說，以一位瀕死的人物回首 1984 年至 1998 年的香港，社會變化跌宕與個人的記憶交織糾纏。在宏大的論述以外，我們能如何言說歷史脈絡於個體身上所刻劃的痕跡？這次展覽以陳梓桓的影像作品與 Florence Lam 的行為藝術展演作連結，呈現一座記憶的迷宮，以影像與身體兩種不同的媒介回應無法言說的社會情狀，在顯影與隱藏之間，歷史如同「什麼都沒有發生」。
