ON & ON

ON & ON

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(Leftmost 左邊)
The View is Wonderful Because I am Staying
2023
Oil on paper 油彩（紙本）
37 x 37 cm 厘米（Framed 已裱裝）

HKD 10,003 (Must be purchased with The Scene is Beautiful Because It is Moving 必需與《The Scene is Beautiful Because It is Moving》同購)

(Rightmost 右邊)
The Scene is Beautiful Because It is Moving
2023
Oil on paper 油彩（紙本）
37 x 37 cm 厘米（Framed 已裱裝）
Unique work 獨本

HKD 10,003 (Must be purchased with The View is Wonderful Because I am Staying 必需與《The View is Wonderful Because I am Staying》同購)

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Now I See
2023
Oil on paper 油彩（紙本）
42.7 x 42.7 cm 厘米（Framed 已裱裝）
Unique work 獨本
HKD 13,000

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Life is an experience.
Where are you now?
Are you in the sea or have you found your shore?
:>
人生是一場體驗。
你現在在哪裏？
岸或海或岸？
:>

Triptych – Gravitational Depths 重力的深度

Triptych – Gravitational Depths 重力的深度
2022
Oil on linen 油畫（亞麻）
140 x 160 x 3.5cm 厘米

A Triptych of Resilience and Transformation: The enthralling triptych "Gravitational Depths" welcomes the viewer to accompany the artist on an extraordinary journey of self-reflection and metamorphosis. Born at the intersection of the artist's diverse experiences – her time in the finance industry, her curious exploration of human nature, and her fascination with metaphysical states – the triptych delves into the complex interplay of opposing forces that shape our existence.

This evocative series, crafted in Hong Kong amidst the COVID-19 lockdowns of 2022, adeptly captures the shifting dynamics of a world in transition. Presented here is the third painting in the series, which features a powerful juxtaposition of two female figures: one ascending towards the sky, radiating energy, determination, and rigor, while the other gravitates towards the earth, seemingly in a state ofsuspended animation. These contrasting figures embody the artist's exploration of the tension between action and inaction, fortitude and vulnerability, and the perpetual struggle to transcend life's challenges.

In her artist's notes, the creator ponders the metaphysical and psychological dimensions of art, suggesting that it provides a temporary refuge from the confines of our physical existence. This concept is vividly illustrated in the triptych through the artist's intentional contrast of techniques. The background, portrayed in a flat, understated bluish monotone, conjures a sense of serenity, while the expressive, abstract brushstrokes that animate the female figures introduce a sense of dynamism. This interplay highlights the artist's fascination with the distinct separation between the foreground and background established by binary conditions.

"Gravitational Depths" aspires to transport the viewer to a metaphysical and psychological state, transcending the ordinary constraints of daily life. By engaging with the artwork, the viewer experiences a fleeting detachment from their personal existence, forging connections with others in a shared "universe" that extends beyond the mundane.

堅韌與蛻變：「重力的深度」邀請觀眾與藝術家一同踏上自省和變革的旅程。這個系列的構想來自藝術家的經歷 - 她在金融行業的工作、對人性的好奇探索以及對形上學的著迷，以這幅作品來探討一種相互對立的局面。

藝術家於疫情期間，在世界不斷變化的動態下，創作了這三聯畫系列。展示中的是系列中的第三幅畫作，其中兩個女性形象強而有力地抱著：一位朝上空躍起，象徵著希望、堅定和力量，而另一位則懸浮下墜，似乎陷入了無引力/假死狀態。這是藝術家對有為與無為、剛毅與脆弱之間緊張關係的探索，以及為挑戰超越生活的局限而進行不懈的鬥爭。

在藝術家的筆記中，創作者思考了藝術的形上學和心理維度。藝術為存在的局限創造了一個暫時的空間/避難所。畫作的背景是以平坦、低調的藍色單調描繪給人一種寧靜的感覺，而女性形像則以抽象的筆觸引入了一種活力感。這種相互作用突出了藝術家對二元條件下建立出前景和背景之間的分離狀態。

「重力的深度」渴望將觀眾帶入形上學和心理層面的境地，通過與藝術品的互動，觀眾可嘗試體驗與個人存在的短暫分離，於共享的“宇宙”中與他人建立聯繫。

Tonight I'm gonna bury this in the ground

Tonight I'm gonna bury this in the ground
2023
Mixed media 混合媒介
65 x 80 cm 厘米

Unique 獨本
HKD 8,000

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2023
Mixed media 混合媒介
40 x 40 cm 厘米

Unique 獨本
HKD 4,000

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2023
Mixed media 混合媒介
20 x 27 cm 厘米

Unique 獨本
HKD 2,000

A study for Half-Life, t½

A study for Half-Life, t½
2023
Bismuth on canvas
62x62x10cm

A proof-of-concept painted study for the full scale Half-Life, t½ painting. Half-Life, t½ (2023) continues the artist’s examination of the fundamentals of painting and its deconstruction to first principles. The artist’s use of pure elemental metal in lieu of paint, continues in this work, using the rare Earth metal, Bismuth. Chosen for its lustrous, chromatic colour when oxidised by heat, the metal also holds temporal significance; An isotope of Bismuth holds the record for the longest half-life of any element in our known universe at 200,000,000,000,000,000,000 years. Half-life is the time taken for 50% of a quantity to decay, presenting a way to give a determinate value to something truly random and stochastic. The painting reflects on the artist’s experience with his own impermanence, decay, and the indeterminacy associated with our corporeal being. While many, many orders of magnitude less than Bismuth, existentially, we too each have our own effective half-life.

作品旨在驗證全尺寸畫作《Half-Life, t½ 》的概念。 《Half-Life, t½》（2023）中藝術家如常考察繪畫的本質，解構第一原理。這件作品由稀土金屬鉍繪製而成，沿用了藝術家擅用純元素金屬代替繪畫顏料的創作模式。 鉍金屬受熱氧化後呈現出光澤和色彩，擁有時間意義。而鉍的同位素則保持著我們已知宇宙中任何元素最長半衰期的記錄—200,000,000,000,000,000,000年。 半衰期是放射性原子核衰變至數目僅得原來一半所需的時間，提供了一種賦予真正隨機的事物確定值的方法。 這幅畫反映了藝術家對自身無常、衰退以及不確定有形存在的體驗。雖然比鉍少很多很多，但從存在上，我們每個人都有自己的有效半衰期。

Green Language

Green Language
2023
Acrylic, varnish, cardboard 塑膠彩、清漆、紙皮
99 x 78 cm 厘米

Unique 獨本
HKD 7,772

(haiku)
Buildings pin mountains
down like cloth draped over what
you must never ask
大廈囚困山
彷佛如布料緊抱
不應問事物

Blue Language

Blue Language
2023
Acrylic, varnish, cardboard 塑膠彩、清漆、紙皮
83 x 137 cm 厘米

Unique 獨本
HKD 11,371

(haiku)
People wait in lines,
twilight cascades over
their vicissitudes
人排隊靜候
暮色如瀑布灑落
他們的倉桑

Memory

Memory
2023
Pearl embroidery on leather 珍珠刺繡（皮革）
40 x 40 cm 厘米

Unique 獨本
HKD 12,000

An abstract exploration of distances between remembrance, representation and rightfulness.

在回憶、表達和合理性之間抽象表達距離。

Colour Test — Ophelia Bath in Faith & Fear

Colour Test — Ophelia Bath in Faith & Fear
2023
Watercolour, ink, acrylic, colour pencil, pencil on paper 水彩、墨、塑膠彩、彩色鉛筆、鉛筆（紙本）
58 x 58 cm 厘米（Framed 已裱裝）

Unique 獨本
HKD 20,000

Making a big one of this work, and this is the first colour test. The big one will become a corner stone of art history, so don't miss the chance to collect a piece of art history. (yes, pure bluff)

這是該作品的一次偉大嘗試，亦是其第一次的色彩試驗。此作將會成為藝術史的基石，千萬不要錯過收藏一段藝術史的良機。（是的，純粹的虛張聲勢）

Rich

Rich
2022
Mixed Media on paper 混合媒介（紙本）
30 x 42 cm 厘米

Unique 獨本
HKD 6,700

Rich is about the richness that life offers when one pays attention in the present moment. The textures, the sound, the layers of experiences, the colours,the lights, the buzz of people connecting, exchanging ideas and their hearts. The painting is a total immersion in the vibrant present. Tuning out thoughts, worries, past, future, it is an ode to what is.

《Rich》關乎那些當你注目當下，你將從生命中獲得的事物：質感、聲響、層層經驗、色彩、光線；人們連繫、交流和心靈的煩囂。作品全意活在斑斕的當下。忘掉思想、憂慮、過去、未來：這是現狀的讚歌。

Flying Heaven

Flying Heaven
2023
Mixed media on artist paper 混合媒介（紙本）
30 x 42 cm 厘米

Unique 獨本
HKD 6,200

Flying Heaven is about dance. Without movement there is no life. Stagnation constricts movement till there is no inner space for one to express itself. Hence dance is such a freeing experience. It requires courage to allow flow taking over, in a space where no judgment is possible. Being in this freedom gives me wings, and it feels that Heaven on Earth is an ultimate possibility.

《Flying Heaven》是有關跳舞的作品：生活不能沒有動態。停滯相當於限制動態，直至沒有以供表達自身的內在空間，跳舞因而是一個解放的體驗。在一個無法被批判的空間中，需要勇氣才能讓流動操縱。這種自由賦與我雙翼，感覺地球終究能容納天堂。

Fairy Flow

Fairy Flow
2023
Mixed media (ink, pastel, acrylic) 混合媒介（水墨、粉彩、塑膠彩）
30 x 42 cm 厘米

Unique 獨本
HKD 6,200

Fairyflow continues the dance. It is feminine, spacious, flowy, flirty and as much empty as it is full. She creates her own boundaries where she feels safe, These boundaries are flexible, never rigid. Her space is what she wants it to be. She is free and contained at the same time.

《Fairyflow》延續舞蹈。它如女性曠達、飄逸、輕浮，空靈亦如溢滿。她在安心的地方設立自身的界線，總是靈活，永不僵硬。她的空間是她所歸之處，自由但得以收容。

Bloom

Bloom
2023
Mixed media on artist paper 混合媒介（紙本）
30 x 42 cm 厘米

Unique 獨本
HKD 8,700

Inspired by a Transylvanian folk song, Bloom talks about the blooming phase of a flower, or a human soul. When spring comes and the flower is ready to bloom, nothing can stop it from flowering. It is the law of Mother Nature. From the darkness of the soil, the journey through budding, growth and blooming is granted. Trust that.

《Bloom》靈感來自外西凡尼亞的民謠，講述花朵，或是靈魂的綻放。當春意降臨，花朵含苞待放而無從遏止，乃大自然的法則。一切源於黑暗的泥土中，旅程沿途發芽、成長和綻放。敬請相信。

,,the death of Lao She_text“

,,the death of Lao She_text“
2020
Inkjet print on paper and handmade envelope 噴墨式打印（紙本）、手製信封
Paper size 紙尺寸 30 x 19.5 cm 厘米 (4 pages 頁)
Envelope size 相封尺寸 20 x 9 cm 厘米

Edition of 9 + AP 版本：9 + AP
HKD 6,400

Wu Jiaru 吳佳儒

Wu Jiaru is an artist who currently works and lives in Hong Kong. She obtained her BA in Fine Arts and English Language from Tsinghua University in 2014, and her MFA from the School of Creative Media in City University of Hong Kong in 2017.

She experiments with imagined spaces and social norms in forms of installation, moving images, printed edition, image synthesis, etc. Wu’s practice covers a wide range of topics, including cross-boundary facilities, literature, modern service industries, manufacturing industries and innovation and technology, romantic relationships, business environment, quality living, education and talent, regional cooperation plans, ecology, as well as mechanisms and arrangements. Wu has participated in many good group exhibitions and her art is in the collection of some important people and organisations.

吳佳儒目前工作生活於香港。她2014年於清華大學獲藝術與英語學士雙學位，並於2017 年取得香港城市大學創意媒體碩士學位。以裝置、影像、複製版本、渲染圖像等形式實驗於想象空間與社會現象之間。吳氏作品涵蓋範圍廣泛，包括跨界設施、 文學、現代服務業、製造業及科技創新、羅曼蒂克關係、營商環境、優質生活、教育與人才、區域合作規劃、生態學、神秘學，以及機制安排等。她的作品曾被多次展出，更被重要人物和機構納入收藏。

Website | Instagram

Self-Portrait

Self-Portrait
2021-22
Mixed media 混合媒介
38 x 27.5 x 2.7 cm 厘米

Unique 獨本
Sold 已賣出

Nicholas Wong 黃裕邦 (HK)

Nicholas Wong is the author of Crevasse (Kaya Press, 2015), the winner of the Lambda Literary Award for Gay Poetry, and Besiege Me (Noemi Press, 2021). He is also the recipient of the Australian Book Review’s Peter Porter Poetry Prize. His has contributed writings to projects by the Solomon R. Guggenheim Museum and Manchester International Festival. He currently translates poetry by contemporary Taiwanese poet Sun Tzu-Ping.

Nicholas has a background in English poetry writing, but the dimension of the page starts to bore him. He attempts to explore ways to creatively "translate" his own works into visual mediums. His visual outputs to be made during his time at HART Haus may be text-based, text-integrated, or text-induced, with an emphasis on the dynamics between imagery and texture, tonality and medium.

黃裕邦，本地詩人，詩集包括《Besiege Me》（英文，2021），《天裂》（中文，2018）及贏得美國 Lambda Literary Awards 的《Crevasse》（英文，2015〉。

雖然從英文詩詞寫作出身，但頁面的維度逐漸令他感到乏味。他因而嘗試尋找其他表達自我的方式——把詩作「翻譯」為視覺元素。他在 HART Haus 所作的視覺輸出中，有是基於文本的，有些是與文本相融，也有些是文本所催生的。不論是哪種輸出，他都強調著圖像紋理、色調和媒介之間的互動。

Junk

Junk
2022
Mixed Media on Paper 混合媒介紙本
Five parts 五件, each 每件 30 x 37.2 x 4 cm 厘米 (framed 已裝裱)

Unique 獨本
Sold 已賣出

Act One with Father: If, like the saying goes, we were lovers in a previous life and that makes us father & son in this one, perhaps I didn’t love you enough.

Act One with Father: If, like the saying goes, we were lovers in a previous life and that makes us father & son in this one, perhaps I didn’t love you enough.
2021-22
Mixed media 混合媒介
38 x 27.8 x 2.5 cm 厘米

Unique 獨本
Sold 已賣出

black asteroids

black asteroids
2022
Ink and wax on paper 水墨和蠟（紙本）
30 x 25 cm 厘米（Framed 已裝裱）

Unique 獨本
HKD 4800

Stephanie Ng 吳芷瑩 (HK)

Stephanie Ng is a visual artist who is currently based in Hong Kong. She holds a BFA degree from Simon Fraser University in 2015; she obtained her MFA degree at Central Saint Martins in 2021. With immense interest in Architecture, her early works often commented on, drew attention to and interacted with surrounding space and architectural components. Her current practice aims to explore the expanding possibilities and boundaries between human relationships through colors, shapes and materiality.

吳芷瑩是一位視覺藝術家，現居於香港。 她於 2015 年獲得西門菲莎大學的藝術學士學位，並在 2021 年畢業於中央聖馬丁學院，取得藝術及文化企業文學碩士學位。她對建築學有著濃厚的興趣，她經常透過作品評論、關注四周的空間和建築，並與其組成互動。她目前的實踐通過顏色、形狀和物質來探索人際關係之間不斷擴大的可能性和界限。

Website | Instagram

Dot to Dot

Dot to Dot
2022
Mixed medium on canvas 混合媒介布本
40 x 50 cm 厘米

Unique 獨版
HKD 4,500

Doris Ng 吳玳誼 (HK)

Currently residing in Hong Kong, Doris stages cultural symbols on paintings, photomontage and installations. With heightened colour and playful composition, her artwork re-frames the conformation of systems by evoking the silent absurdity in everyday life, revolving around sexuality and desire, religion, (post)colonialism, capitalism. Her work contains intimate narratives stemming from her agonies with migration, family turmoil and brain surgery, built upon her own socio-cultural identities and theoretical discourses.

Her recent exhibited work include Hide and Suck (2021), Icons (2021), Long Live the Queen! (2022), Very rude looking dessert (2022). Since 2020, she has joined HART Haus and Tung Nam Lou Art Hotel, Hong Kong. She has been working extensively in art and cultural community projects with The Lok Sin Tong Benevolent Society Hong Kong, Hong Kong Planner Institute, K11 MUSEA Nature Discovery Park, HART Hong Kong, Aroma office, HandsOn Hong Kong etc. She obtained a MA (Art and Cultural Enterprise) at the University of Arts London x HKU Space and a BBA at the Monash University.

吳玳誼現居香港，在繪畫、攝影蒙太奇和裝置上策劃文化符號。透過艷麗的顏色和具玩味的構圖，她的作品喚起日常生活中的靜默荒誕，將系統的構象重新嵌置，當中圍繞性向與慾望、宗教、（後）殖物、資本主義。她的作品包含親密的敍述，而她源於殖民主義、家族糾紛和大腦手術的痛苦根植其中，亦建基在她自身的社會文化身份和理論。

吳玳誼的近作包括《Hide and Suck》（2021）、《Icons》（2021）、《Long Live the Queen!》（2022）、《Very rude looking dessert》（2022）。自2020年起、她加入了HART Haus和東南樓藝術酒店。她亦廣泛地與藝術與文化社區計劃合作，包括樂善堂、香港規劃師學會、K11 MUSEA Nature Discovery Park、HART Hong Kong、香公所、HandsOn Hong Kong 等。她在倫敦藝術大學 x HKU Space 獲得文學碩士（藝術和文化企業），和在莫納什大學（Monash University）獲得 BBA。

Website | Instagram

Tiger Liquor without Its Tail 虎酒無鞭

Tiger Liquor without Its Tail 虎酒無鞭
2022
Acrylic, ink on paper 塑膠彩和墨（紙本）
78 x 32 cm 厘米（Framed 已裝裱）

Unique 獨本
HKD 10,500

羅文樂 Law Man-Lok (HK)

Starting from drawing some figures but ending up creating conceptual arts, Law eventually dabbles from paintings to anything whimsical. With many mismatches, he is so versatile thanks to his curiosity about the world. He plans to settle down at HART Haus and slowly works on his “DIY aesthetic”.

初初只是想畫公仔，不知為何就成為了概念藝術，當中汲足了繪畫至古靈精怪想法。是一個很錯，而又對世界好奇的多門路嘅人類。在 Hart Haus 計劃靜下來，慢慢開始創作計劃了很久的「土炮美學」。

Instagram

YesYesYes

YesYesYes
2021
Inject print on paper with special lamination 噴墨打印（特殊層壓紙本）
16.7 x 9 cm, 3 cards per set

HKD 150

Liao Jiaming 廖家明 (CN)

Liao Jiaming (b. 1992, Guangdong, China) obtained his BA in Journalism from Sun Yat-sen University in 2016, and his MFA in Creative Media from City University of Hong Kong in 2019. Starting from images, Liao’s creative practice expands to different media including photography, video, installation, and etc. His works usually focus on the topics of urban life, minority groups and living space, questioning the relation between the real and the virtual, as well as the subject and the object.

Liao’s works have been extensively exhibited at solo exhibition “Till Love Do Us Part” (RNH Space, Hong Kong, 2021) and “Too Good to Be True” (HKIPF Satellite Exhibition, JCCAC, Hong Kong, 2021); and group exhibitions in Hong Kong, Shanghai, London, Zurich and other cities. Recently, he has participated in organising and exhibiting at ”Gay Games Hong Kong 2022” (Hong Kong Art Centre). He now lives and works in Hong Kong.

廖家明1992年出生於中國廣東。2016年，他從中山大學畢業并取得新聞學文學學士學位；2019年，他從香港城市大學畢業并取得創意媒體藝術碩士學位。他以圖像為創作基礎，并以此延伸至攝影、錄像、裝置等媒介。他關注都市生活、少數群體及生存空間等議題，以作品質疑網絡和信息世代中現實與虛擬、主體和客體的關係和連結。

廖氏的作品曾於香港、上海、倫敦及蘇黎世等城市展出或放映。他現於香港居住及工作。

Website | Instagram