ON & ON

 

ON & ON


(Leftmost 左邊)
The View is Wonderful Because I am Staying
2023
Oil on paper 油彩(紙本)
37 x 37 cm 厘米(Framed 已裱裝)

HKD 10,003 (Must be purchased with The Scene is Beautiful Because It is Moving 必需與《The Scene is Beautiful Because It is Moving》同購)

(Rightmost 右邊)
The Scene is Beautiful Because It is Moving

2023
Oil on paper 油彩(紙本)
37 x 37 cm 厘米(Framed 已裱裝)
Unique work 獨本

HKD 10,003 (Must be purchased with The View is Wonderful Because I am Staying 必需與《The View is Wonderful Because I am Staying》同購)


Now I See
2023
Oil on paper 油彩(紙本)
42.7 x 42.7 cm 厘米(Framed 已裱裝)
Unique work 獨本
HKD 13,000


Life is an experience.
Where are you now?
Are you in the sea or have you found your shore?
:>
人生是一場體驗。
你現在在哪裏?
岸或海或岸?
:>

 

Tonight I'm gonna bury this in the ground

 

Tonight I'm gonna bury this in the ground
2023
Mixed media 混合媒介
65 x 80 cm 厘米

Unique 獨本
HKD 8,000


2023
Mixed media 混合媒介
40 x 40 cm 厘米

Unique 獨本
HKD 4,000


2023
Mixed media 混合媒介
20 x 27 cm 厘米

Unique 獨本
HKD 2,000

 

A study for Half-Life, t½

 

A study for Half-Life, t½
2023
Bismuth on canvas
62x62x10cm

A proof-of-concept painted study for the full scale Half-Life, t½ painting. Half-Life, t½ (2023) continues the artist’s examination of the fundamentals of painting and its deconstruction to first principles. The artist’s use of pure elemental metal in lieu of paint, continues in this work, using the rare Earth metal, Bismuth. Chosen for its lustrous, chromatic colour when oxidised by heat, the metal also holds temporal significance; An isotope of Bismuth holds the record for the longest half-life of any element in our known universe at 200,000,000,000,000,000,000 years. Half-life is the time taken for 50% of a quantity to decay, presenting a way to give a determinate value to something truly random and stochastic. The painting reflects on the artist’s experience with his own impermanence, decay, and the indeterminacy associated with our corporeal being. While many, many orders of magnitude less than Bismuth, existentially, we too each have our own effective half-life.

作品旨在驗證全尺寸畫作《Half-Life, t½ 》的概念。 《Half-Life, t½》(2023)中藝術家如常考察繪畫的本質,解構第一原理。這件作品由稀土金屬鉍繪製而成,沿用了藝術家擅用純元素金屬代替繪畫顏料的創作模式。 鉍金屬受熱氧化後呈現出光澤和色彩,擁有時間意義。而鉍的同位素則保持著我們已知宇宙中任何元素最長半衰期的記錄—200,000,000,000,000,000,000年。 半衰期是放射性原子核衰變至數目僅得原來一半所需的時間,提供了一種賦予真正隨機的事物確定值的方法。 這幅畫反映了藝術家對自身無常、衰退以及不確定有形存在的體驗。雖然比鉍少很多很多,但從存在上,我們每個人都有自己的有效半衰期。

 

Green Language

 

Green Language
2023
Acrylic, varnish, cardboard 塑膠彩、清漆、紙皮
99 x 78 cm 厘米

Unique 獨本
HKD 7,772

(haiku)
Buildings pin mountains
down like cloth draped over what
you must never ask
大廈囚困山
彷佛如布料緊抱
不應問事物

 

Blue Language

 

Blue Language
2023
Acrylic, varnish, cardboard 塑膠彩、清漆、紙皮
83 x 137 cm 厘米

Unique 獨本
HKD 11,371

(haiku)
People wait in lines,
twilight cascades over
their vicissitudes
人排隊靜候
暮色如瀑布灑落
他們的倉桑

 

Colour Test — Ophelia Bath in Faith & Fear

 

Colour Test Ophelia Bath in Faith & Fear
2023
Watercolour, ink, acrylic, colour pencil, pencil on paper 水彩、墨、塑膠彩、彩色鉛筆、鉛筆(紙本)
58 x 58 cm 厘米(Framed 已裱裝)

Unique 獨本
HKD 20,000

Making a big one of this work, and this is the first colour test. The big one will become a corner stone of art history, so don't miss the chance to collect a piece of art history. (yes, pure bluff)

這是該作品的一次偉大嘗試,亦是其第一次的色彩試驗。此作將會成為藝術史的基石,千萬不要錯過收藏一段藝術史的良機。(是的,純粹的虛張聲勢)

 

Rich

 

Rich
2022
Mixed Media on paper 混合媒介(紙本)
30 x 42 cm 厘米

Unique 獨本
HKD 6,700

Rich is about the richness that life offers when one pays attention in the present moment. The textures, the sound, the layers of experiences, the colours,the lights, the buzz of people connecting, exchanging ideas and their hearts. The painting is a total immersion in the vibrant present. Tuning out thoughts, worries, past, future, it is an ode to what is.

《Rich》關乎那些當你注目當下,你將從生命中獲得的事物:質感、聲響、層層經驗、色彩、光線;人們連繫、交流和心靈的煩囂。作品全意活在斑斕的當下。忘掉思想、憂慮、過去、未來:這是現狀的讚歌。

 

Flying Heaven

 

Flying Heaven
2023
Mixed media on artist paper 混合媒介(紙本)
30 x 42 cm 厘米

Unique 獨本
HKD 6,200

Flying Heaven is about dance. Without movement there is no life. Stagnation constricts movement till there is no inner space for one to express itself. Hence dance is such a freeing experience. It requires courage to allow flow taking over, in a space where no judgment is possible. Being in this freedom gives me wings, and it feels that Heaven on Earth is an ultimate possibility.

《Flying Heaven》是有關跳舞的作品:生活不能沒有動態。停滯相當於限制動態,直至沒有以供表達自身的內在空間,跳舞因而是一個解放的體驗。在一個無法被批判的空間中,需要勇氣才能讓流動操縱。這種自由賦與我雙翼,感覺地球終究能容納天堂。

 

Fairy Flow

 

Fairy Flow
2023
Mixed media (ink, pastel, acrylic) 混合媒介(水墨、粉彩、塑膠彩)
30 x 42 cm 厘米

Unique 獨本
HKD 6,200

Fairyflow continues the dance. It is feminine, spacious, flowy, flirty and as much empty as it is full. She creates her own boundaries where she feels safe, These boundaries are flexible, never rigid. Her space is what she wants it to be. She is free and contained at the same time.

《Fairyflow》延續舞蹈。它如女性曠達、飄逸、輕浮,空靈亦如溢滿。她在安心的地方設立自身的界線,總是靈活,永不僵硬。她的空間是她所歸之處,自由但得以收容。

 

Bloom

 

Bloom
2023
Mixed media on artist paper 混合媒介(紙本)
30 x 42 cm 厘米

Unique 獨本
HKD 8,700

Inspired by a Transylvanian folk song, Bloom talks about the blooming phase of a flower, or a human soul. When spring comes and the flower is ready to bloom, nothing can stop it from flowering. It is the law of Mother Nature. From the darkness of the soil, the journey through budding, growth and blooming is granted. Trust that.

《Bloom》靈感來自外西凡尼亞的民謠,講述花朵,或是靈魂的綻放。當春意降臨,花朵含苞待放而無從遏止,乃大自然的法則。一切源於黑暗的泥土中,旅程沿途發芽、成長和綻放。敬請相信。


 

Unforgiving Poem series

Unforgiving Poem (blue)
2022
Oil, paper, transparency film, dissolvable fabric, gouache and ink on wood panels 油彩、紙本、透明膠片、可溶布料、廣告彩、墨(木板)
Each 每張 18 X 12.7 x 2.2 cm 厘米, set of 3 共三張

Unique work 獨本
HKD 21,000

Unforgiving Poem (white)
2022
Oil, paper and transparency film on wood panels 油彩、紙本、透明膠片(木板)
Each 每張 18 X 12.7 x 2.2 cm 厘米, set of 3 共三張

Unique work 獨本
HKD 21,000

Unforgiving Poem (yellow)
2022
Oil, paper, transparency film, dissolvable fabric and ink on wood panels 油彩、紙本、透明膠片、可溶布料、墨(木板)
Each 每張 18 X 12.7 x 2.2 cm 厘米, set of 2 共兩張

Unique work 獨本
HKD 14,000