ON & ON

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ON & ON

(Leftmost 左邊)
The View is Wonderful Because I am Staying
2023
Oil on paper 油彩（紙本）
37 x 37 cm 厘米（Framed 已裱裝）

HKD 10,003 (Must be purchased with The Scene is Beautiful Because It is Moving 必需與《The Scene is Beautiful Because It is Moving》同購)

(Rightmost 右邊)
The Scene is Beautiful Because It is Moving
2023
Oil on paper 油彩（紙本）
37 x 37 cm 厘米（Framed 已裱裝）
Unique work 獨本

HKD 10,003 (Must be purchased with The View is Wonderful Because I am Staying 必需與《The View is Wonderful Because I am Staying》同購)

Now I See
2023
Oil on paper 油彩（紙本）
42.7 x 42.7 cm 厘米（Framed 已裱裝）
Unique work 獨本
HKD 13,000

Life is an experience.
Where are you now?
Are you in the sea or have you found your shore?
:>
人生是一場體驗。
你現在在哪裏？
岸或海或岸？
:>

Featured
Eunice Lai 黎曉蓉 (HK)
Eunice Lai
Eunice Lai 黎曉蓉 (HK)
Eunice Lai

Fascinated by the power of imagination and freedom, the works of Eunice Lai (b. 1993, Hong Kong) often engaged in the creation and exploration of her own mystical world which one may not encounter in reality. Stories happen in the forms include but not limited to comics, story-telling, illustrations and maybe soon oil paintings and animation. Through exploring the possibilities in another world, she finds inspiration to respond to herself and to reality.

黎曉蓉 1993 年生於香港，嚮往想像和自由的力量，因此作品經常關於創作和探索自己那現實中難以遇到的神秘世界。她的故事以漫畫、故事、插畫，或於不久的將來以油畫和動畫呈現。透過探索另一個世界的可能性，她找到了回應自己和現實世界的靈感。

Website | Instagram

Eunice Lai
 

Tonight I'm gonna bury this in the ground

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Tonight I'm gonna bury this in the ground
2023
Mixed media 混合媒介
65 x 80 cm 厘米

Unique 獨本
HKD 8,000

2023
Mixed media 混合媒介
40 x 40 cm 厘米

Unique 獨本
HKD 4,000

2023
Mixed media 混合媒介
20 x 27 cm 厘米

Unique 獨本
HKD 2,000

Featured
Lonely Kidney (HK)
Lonely Kidney (HK)

Lonely Kidney, also known as Alistar Huang, is a visual artist who explores the uncharted world through graphic design, illustration and painting. Her artwork presents a surrealistic imagination, drawing inspiration from personal experiences, emotions, and everyday occurrences. Lonely Kidney’s practice often challenges traditional norms and pushes the boundaries of what is considered beautiful.

Lonely Kidney，亦稱 Alistar Huang，是一名視覺藝術家。她主要透過平面設計、插畫和油畫探索未知的世界。她常以超現實的風格描繪怪誕的國度，靈感來自於個人經歷、情感和日常生活。Lonely Kidney的創作經常挑戰傳統規範並突破美學的界限，結合不和諧、不完美的元素，創造一種和諧的混亂。

Instagram

 

A study for Half-Life, t½

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A study for Half-Life, t½
2023
Bismuth on canvas
62x62x10cm

A proof-of-concept painted study for the full scale Half-Life, t½ painting. Half-Life, t½ (2023) continues the artist’s examination of the fundamentals of painting and its deconstruction to first principles. The artist’s use of pure elemental metal in lieu of paint, continues in this work, using the rare Earth metal, Bismuth. Chosen for its lustrous, chromatic colour when oxidised by heat, the metal also holds temporal significance; An isotope of Bismuth holds the record for the longest half-life of any element in our known universe at 200,000,000,000,000,000,000 years. Half-life is the time taken for 50% of a quantity to decay, presenting a way to give a determinate value to something truly random and stochastic. The painting reflects on the artist’s experience with his own impermanence, decay, and the indeterminacy associated with our corporeal being. While many, many orders of magnitude less than Bismuth, existentially, we too each have our own effective half-life.

作品旨在驗證全尺寸畫作《Half-Life, t½ 》的概念。 《Half-Life, t½》（2023）中藝術家如常考察繪畫的本質，解構第一原理。這件作品由稀土金屬鉍繪製而成，沿用了藝術家擅用純元素金屬代替繪畫顏料的創作模式。 鉍金屬受熱氧化後呈現出光澤和色彩，擁有時間意義。而鉍的同位素則保持著我們已知宇宙中任何元素最長半衰期的記錄—200,000,000,000,000,000,000年。 半衰期是放射性原子核衰變至數目僅得原來一半所需的時間，提供了一種賦予真正隨機的事物確定值的方法。 這幅畫反映了藝術家對自身無常、衰退以及不確定有形存在的體驗。雖然比鉍少很多很多，但從存在上，我們每個人都有自己的有效半衰期。

Featured
Damian Boylan (UK)
Damian Boylan (UK)

Damian Boylan became a scientist, and completed a Master’s degree (MEng) in Aerospace Engineering, long before turning to art. Those early beginnings pervade his work, which is multidisciplinary in range, including Painting, Photography, Videography and Sound. His methodology is more akin to scientific investigation. Boylan experiments with fundamental physical phenomena, and expands upon them, presenting the result to the viewer as art. The intent of his work is about something fundamental and perpetual. In essence, it is an unearthing of the very building blocks of this universe.

Damian Boylan 是個在香港居住了 10年的藝術家。他是個擁有正式數學及科學訓練背景、航空航天工程碩士畢業生。 設計強項範疇包括複合材料，空氣動力學，有限元分析（FEA）和計算機輔助設計（CAD）。他的多媒介藝術創作廣泛地研究物理現象與物理化學的相互作用影響。

Website | Instagram

 

Green Language

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Green Language
2023
Acrylic, varnish, cardboard 塑膠彩、清漆、紙皮
99 x 78 cm 厘米

Unique 獨本
HKD 7,772

(haiku)
Buildings pin mountains
down like cloth draped over what
you must never ask
大廈囚困山
彷佛如布料緊抱
不應問事物

Featured
Art Hur (US)
Art Hur (US)

Art Hur is a queer, multilingual, multidisciplinary artist who creates new visual languages using abstract and minimal phenomena. His paintings’ connection to Hong Kong, through the sustainable medium of cardboard, is less abstract. Cardboard in Hong Kong is known as 紙皮 jí pèih, literally “paper skin.” Hur harvests freshly discarded paper skins to paint with, cardboard of all shapes and sizes, shed by the metropolis as it digests a flow of endless deliveries to stay alive. In this way, Hur’s work repurposes overlooked objects into meaningful visual language. Hur’s poems and prose follow a similar trajectory: overlooked moments are documented, amassed and, through faint narrative lines, distilled with meaning.

Art Hur 是一位酷兒、多語言、跨界別藝術家。他透過抽象和極簡現象構造新的視覺語言。 通過硬紙皮這一可持續媒介，令他的畫作與香港的聯繫不那麼抽象。 紙皮，意為「紙的皮膚」。 Hur 將剛被丟棄的紙皮蒐集來作畫，形狀和大小各異的紙皮在大都市依賴存活、無休止的貨物運輸過程中被遺棄。通過這種創作方式，Hur 的作品為被忽視的物件重新賦予有意義的視覺語言。Hur 的詩歌和散文創作遵循類似的軌跡：記錄、積累被忽視的時刻，並通過隱約的敘事提煉出深刻的意義。

Instagram

 

Blue Language

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Blue Language
2023
Acrylic, varnish, cardboard 塑膠彩、清漆、紙皮
83 x 137 cm 厘米

Unique 獨本
HKD 11,371

(haiku)
People wait in lines,
twilight cascades over
their vicissitudes
人排隊靜候
暮色如瀑布灑落
他們的倉桑

Featured
Art Hur (US)
Art Hur (US)

Art Hur is a queer, multilingual, multidisciplinary artist who creates new visual languages using abstract and minimal phenomena. His paintings’ connection to Hong Kong, through the sustainable medium of cardboard, is less abstract. Cardboard in Hong Kong is known as 紙皮 jí pèih, literally “paper skin.” Hur harvests freshly discarded paper skins to paint with, cardboard of all shapes and sizes, shed by the metropolis as it digests a flow of endless deliveries to stay alive. In this way, Hur’s work repurposes overlooked objects into meaningful visual language. Hur’s poems and prose follow a similar trajectory: overlooked moments are documented, amassed and, through faint narrative lines, distilled with meaning.

Art Hur 是一位酷兒、多語言、跨界別藝術家。他透過抽象和極簡現象構造新的視覺語言。 通過硬紙皮這一可持續媒介，令他的畫作與香港的聯繫不那麼抽象。 紙皮，意為「紙的皮膚」。 Hur 將剛被丟棄的紙皮蒐集來作畫，形狀和大小各異的紙皮在大都市依賴存活、無休止的貨物運輸過程中被遺棄。通過這種創作方式，Hur 的作品為被忽視的物件重新賦予有意義的視覺語言。Hur 的詩歌和散文創作遵循類似的軌跡：記錄、積累被忽視的時刻，並通過隱約的敘事提煉出深刻的意義。

Instagram

 

Memory

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Memory
2023
Pearl embroidery on leather 珍珠刺繡（皮革）
40 x 40 cm 厘米

Unique 獨本
HKD 12,000

An abstract exploration of distances between remembrance, representation and rightfulness.

在回憶、表達和合理性之間抽象表達距離。

Featured
Yasmina Viale-Fraine 梣茉莉 (FR)
Yasmina Viale-Fraine 梣茉莉 (FR)

Yasmina Viale-Fraine, a French fashion designer, started dressmaking at a very young age in her mother’s atelier.

In 2011, she landed in Hong Kong and turned the devotion to her hobby into atelierYVF, an evening wear and bridal couture studio.

Yasmina’s bespoke creations reflect the stories and personalities of her brides-to-be. They are designed with a slow fashion, zero-waste circular approach. Yasmina mixes French and Asian inspirations and uses a wide range of techniques such as silk painting, plant dying, French haute couture embroidery and beading, to create for bold brides, looking for minimalist designs that showcase their personality.

法國時裝設計師 Yasmina Viale-Fraine 從小已於母親的工作室裡接觸製衣。 2011年，她來到香港，並將對工作的熱愛轉變成 atelierYVF，一間晚禮服和新娘時裝工作室。

Yasmina 的訂製作品敍述了準新娘的故事和個性；採取「慢時尚」和「零浪費」的設計方針。 她的作品融合法國和亞洲靈感，應用絹畫、植物染色、法國高級時裝刺繡和珠飾等多種技法，為大膽的新娘創作，尋求能彰顯她們個性的簡約設計。

Instagram

 

Colour Test — Ophelia Bath in Faith & Fear

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Colour Test — Ophelia Bath in Faith & Fear
2023
Watercolour, ink, acrylic, colour pencil, pencil on paper 水彩、墨、塑膠彩、彩色鉛筆、鉛筆（紙本）
58 x 58 cm 厘米（Framed 已裱裝）

Unique 獨本
HKD 20,000

Making a big one of this work, and this is the first colour test. The big one will become a corner stone of art history, so don't miss the chance to collect a piece of art history. (yes, pure bluff)

這是該作品的一次偉大嘗試，亦是其第一次的色彩試驗。此作將會成為藝術史的基石，千萬不要錯過收藏一段藝術史的良機。（是的，純粹的虛張聲勢）

Featured
Law Man Lok 羅文樂 (HK)
Law Man Lok 羅文樂 (HK)

Starting from drawing figures but ending up creating conceptual arts, Law eventually dabbles from paintings to anything whimsical. With many mismatches, he is so versatile thanks to his curiosity about the world. He plans to settle down at HART Haus and slowly work on his “DIY aesthetic”.

初初只係想畫公仔點知就變咗做概念藝術，於是由繪畫到古靈精怪的都有汲足。是一個錯Q晒，對世界好奇所以百足咁多爪嘅人類。在 HART Haus 計劃靜下來，慢慢搞下佢想了很久的「土炮美學」。

Instagram

 

Rich

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Rich
2022
Mixed Media on paper 混合媒介（紙本）
30 x 42 cm 厘米

Unique 獨本
HKD 6,700

Rich is about the richness that life offers when one pays attention in the present moment. The textures, the sound, the layers of experiences, the colours,the lights, the buzz of people connecting, exchanging ideas and their hearts. The painting is a total immersion in the vibrant present. Tuning out thoughts, worries, past, future, it is an ode to what is.

《Rich》關乎那些當你注目當下，你將從生命中獲得的事物：質感、聲響、層層經驗、色彩、光線；人們連繫、交流和心靈的煩囂。作品全意活在斑斕的當下。忘掉思想、憂慮、過去、未來：這是現狀的讚歌。

Featured
Boroka Kopacz (RO)
Boroka Kopacz (RO)

Boroka Kopacz was born in Transylvania in 1989. She dedicated close to a decade to her interdisciplinary studies in art, design and philosophy. She translates personal and collective inner landscapes onto canvas, paper and rice paper across scales. She is fascinated by Asian metaphysical traditions, and is a student of Chinese ink as a form of meditation and spiritual expression.

Kopacz opened up her studio in PMQ, and recently moved to Hart Haus collective. Here she creates and holds safe space for herself and others to express themselves from the soul She calls her process: Artflow. She holds a Bachelor of Fine Arts from the Savannah College of Art and Design and a Master of Urban Environment Design from the Hong Kong Polytechnic University.

She lives and works in Hong Kong with her husband, Claudio and three years old son, Leonardo.

Boroka 1989年生於外西凡尼亞，奉獻將近十年於修讀跨學科藝術、設計，和哲學。她將個人和群體的內在景象演繹在不同尺寸的畫布、紙本和米紙上。她為亞洲形而上的傳統著迷，正學習將中國水墨運用於冥想和靈性表達上。

Kopacz 曾於 PMQ 開設工作室，最近則遷至 HART Haus。在這裡她創作和為自身和他人維持安全的環境表達靈魂—她稱這個過程為Artflow。她擁有薩凡納藝術與設計學院美術學士學位和香港理工大學城市環境設計碩士學位。

她與丈夫 Claudio 和三歲的兒子 Leonardo 現居和工作於香港。

Website | Instagram

 

Flying Heaven

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Flying Heaven
2023
Mixed media on artist paper 混合媒介（紙本）
30 x 42 cm 厘米

Unique 獨本
HKD 6,200

Flying Heaven is about dance. Without movement there is no life. Stagnation constricts movement till there is no inner space for one to express itself. Hence dance is such a freeing experience. It requires courage to allow flow taking over, in a space where no judgment is possible. Being in this freedom gives me wings, and it feels that Heaven on Earth is an ultimate possibility.

《Flying Heaven》是有關跳舞的作品：生活不能沒有動態。停滯相當於限制動態，直至沒有以供表達自身的內在空間，跳舞因而是一個解放的體驗。在一個無法被批判的空間中，需要勇氣才能讓流動操縱。這種自由賦與我雙翼，感覺地球終究能容納天堂。

Featured
Boroka Kopacz (RO)
Boroka Kopacz (RO)

Boroka Kopacz was born in Transylvania in 1989. She dedicated close to a decade to her interdisciplinary studies in art, design and philosophy. She translates personal and collective inner landscapes onto canvas, paper and rice paper across scales. She is fascinated by Asian metaphysical traditions, and is a student of Chinese ink as a form of meditation and spiritual expression.

Kopacz opened up her studio in PMQ, and recently moved to Hart Haus collective. Here she creates and holds safe space for herself and others to express themselves from the soul She calls her process: Artflow. She holds a Bachelor of Fine Arts from the Savannah College of Art and Design and a Master of Urban Environment Design from the Hong Kong Polytechnic University.

She lives and works in Hong Kong with her husband, Claudio and three years old son, Leonardo.

Boroka 1989年生於外西凡尼亞，奉獻將近十年於修讀跨學科藝術、設計，和哲學。她將個人和群體的內在景象演繹在不同尺寸的畫布、紙本和米紙上。她為亞洲形而上的傳統著迷，正學習將中國水墨運用於冥想和靈性表達上。

Kopacz 曾於 PMQ 開設工作室，最近則遷至 HART Haus。在這裡她創作和為自身和他人維持安全的環境表達靈魂—她稱這個過程為Artflow。她擁有薩凡納藝術與設計學院美術學士學位和香港理工大學城市環境設計碩士學位。

她與丈夫 Claudio 和三歲的兒子 Leonardo 現居和工作於香港。

Website | Instagram

 

Fairy Flow

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Fairy Flow
2023
Mixed media (ink, pastel, acrylic) 混合媒介（水墨、粉彩、塑膠彩）
30 x 42 cm 厘米

Unique 獨本
HKD 6,200

Fairyflow continues the dance. It is feminine, spacious, flowy, flirty and as much empty as it is full. She creates her own boundaries where she feels safe, These boundaries are flexible, never rigid. Her space is what she wants it to be. She is free and contained at the same time.

《Fairyflow》延續舞蹈。它如女性曠達、飄逸、輕浮，空靈亦如溢滿。她在安心的地方設立自身的界線，總是靈活，永不僵硬。她的空間是她所歸之處，自由但得以收容。

Featured
Boroka Kopacz (RO)
Boroka Kopacz (RO)

Boroka Kopacz was born in Transylvania in 1989. She dedicated close to a decade to her interdisciplinary studies in art, design and philosophy. She translates personal and collective inner landscapes onto canvas, paper and rice paper across scales. She is fascinated by Asian metaphysical traditions, and is a student of Chinese ink as a form of meditation and spiritual expression.

Kopacz opened up her studio in PMQ, and recently moved to Hart Haus collective. Here she creates and holds safe space for herself and others to express themselves from the soul She calls her process: Artflow. She holds a Bachelor of Fine Arts from the Savannah College of Art and Design and a Master of Urban Environment Design from the Hong Kong Polytechnic University.

She lives and works in Hong Kong with her husband, Claudio and three years old son, Leonardo.

Boroka 1989年生於外西凡尼亞，奉獻將近十年於修讀跨學科藝術、設計，和哲學。她將個人和群體的內在景象演繹在不同尺寸的畫布、紙本和米紙上。她為亞洲形而上的傳統著迷，正學習將中國水墨運用於冥想和靈性表達上。

Kopacz 曾於 PMQ 開設工作室，最近則遷至 HART Haus。在這裡她創作和為自身和他人維持安全的環境表達靈魂—她稱這個過程為Artflow。她擁有薩凡納藝術與設計學院美術學士學位和香港理工大學城市環境設計碩士學位。

她與丈夫 Claudio 和三歲的兒子 Leonardo 現居和工作於香港。

Website | Instagram

 

Bloom

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Bloom
2023
Mixed media on artist paper 混合媒介（紙本）
30 x 42 cm 厘米

Unique 獨本
HKD 8,700

Inspired by a Transylvanian folk song, Bloom talks about the blooming phase of a flower, or a human soul. When spring comes and the flower is ready to bloom, nothing can stop it from flowering. It is the law of Mother Nature. From the darkness of the soil, the journey through budding, growth and blooming is granted. Trust that.

《Bloom》靈感來自外西凡尼亞的民謠，講述花朵，或是靈魂的綻放。當春意降臨，花朵含苞待放而無從遏止，乃大自然的法則。一切源於黑暗的泥土中，旅程沿途發芽、成長和綻放。敬請相信。

Featured
Boroka Kopacz (RO)
Boroka Kopacz (RO)

Boroka Kopacz was born in Transylvania in 1989. She dedicated close to a decade to her interdisciplinary studies in art, design and philosophy. She translates personal and collective inner landscapes onto canvas, paper and rice paper across scales. She is fascinated by Asian metaphysical traditions, and is a student of Chinese ink as a form of meditation and spiritual expression.

Kopacz opened up her studio in PMQ, and recently moved to Hart Haus collective. Here she creates and holds safe space for herself and others to express themselves from the soul She calls her process: Artflow. She holds a Bachelor of Fine Arts from the Savannah College of Art and Design and a Master of Urban Environment Design from the Hong Kong Polytechnic University.

She lives and works in Hong Kong with her husband, Claudio and three years old son, Leonardo.

Boroka 1989年生於外西凡尼亞，奉獻將近十年於修讀跨學科藝術、設計，和哲學。她將個人和群體的內在景象演繹在不同尺寸的畫布、紙本和米紙上。她為亞洲形而上的傳統著迷，正學習將中國水墨運用於冥想和靈性表達上。

Kopacz 曾於 PMQ 開設工作室，最近則遷至 HART Haus。在這裡她創作和為自身和他人維持安全的環境表達靈魂—她稱這個過程為Artflow。她擁有薩凡納藝術與設計學院美術學士學位和香港理工大學城市環境設計碩士學位。

她與丈夫 Claudio 和三歲的兒子 Leonardo 現居和工作於香港。

Website | Instagram


 

Unforgiving Poem series

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Unforgiving Poem (blue)
2022
Oil, paper, transparency film, dissolvable fabric, gouache and ink on wood panels 油彩、紙本、透明膠片、可溶布料、廣告彩、墨（木板）
Each 每張 18 X 12.7 x 2.2 cm 厘米, set of 3 共三張

Unique work 獨本
HKD 21,000

Unforgiving Poem (white)
2022
Oil, paper and transparency film on wood panels 油彩、紙本、透明膠片（木板）
Each 每張 18 X 12.7 x 2.2 cm 厘米, set of 3 共三張

Unique work 獨本
HKD 21,000

Unforgiving Poem (yellow)
2022
Oil, paper, transparency film, dissolvable fabric and ink on wood panels 油彩、紙本、透明膠片、可溶布料、墨（木板）
Each 每張 18 X 12.7 x 2.2 cm 厘米, set of 2 共兩張

Unique work 獨本
HKD 14,000

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Nicholas Wong 黃裕邦 (HK)
Nicholas Wong 黃裕邦 (HK)

Nicholas Wong is the author of Crevasse (Kaya Press, 2015), the winner of the Lambda Literary Award for Gay Poetry, and Besiege Me (Noemi Press, 2021). He is also the recipient of the Australian Book Review’s Peter Porter Poetry Prize. His has contributed writings to projects by the Solomon R. Guggenheim Museum and Manchester International Festival. He currently translates poetry by contemporary Taiwanese poet Sun Tzu-Ping. 

Nicholas has a background in English poetry writing, but the dimension of the page starts to bore him. He attempts to explore ways to creatively "translate" his own works into visual mediums. His visual outputs to be made during his time at HART Haus may be text-based, text-integrated, or text-induced, with an emphasis on the dynamics between imagery and texture, tonality and medium.

黃裕邦，本地詩人，詩集包括《Besiege Me》（英文，2021），《天裂》（中文，2018）及贏得美國 Lambda Literary Awards 的《Crevasse》（英文，2015〉。

雖然從英文詩詞寫作出身，但頁面的維度逐漸令他感到乏味。他因而嘗試尋找其他表達自我的方式——把詩作「翻譯」為視覺元素。他在 HART Haus 所作的視覺輸出中，有是基於文本的，有些是與文本相融，也有些是文本所催生的。不論是哪種輸出，他都強調著圖像紋理、色調和媒介之間的互動。

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