Nadim Abbas examines the mercurial properties of images and their ambiguous relationship to reality.  This has culminated in the construction of complex set pieces where objects disappear into their own image and bodies succumb to the seduction of space.  Abbas was awarded with the Asian Cultural Council Altius Fellowship and the HK Arts Development Award (Young Artist / Visual Arts) in 2014.  

Past exhibitions include: Participation Mystique (McaM, Shanghai), Phantom Plane (Tai Kwun, Hong Kong), Poor Toy (VITRINE, Basel), Proregress (12th Shanghai Biennale), Blue Noon (Last Tango, Zurich), Clouds⇄Forests (7th Moscow International Biennale of Contemporary Art), Camoufleur (VITRINE, London), Chimera (Antenna Space, Shanghai), The Last Vehicle (UCCA, Beijing), 2015 Triennial: Surround Audience (New Museum, New York), Unseen Existence (HK Arts Centre), Going, going, until I meet the tide (2014 Busan Biennale), The Part In The Story Where A Part Becomes A Part Of Something Else (Witte de With, Rotterdam), Tetraphilia (Third Floor Hermés, Singapore).

Shane Aspegren’s work juxtaposes improvisational languages within carefully-crafted frameworks, frequently exploring a cross-discipline and non-dualistic perspective on such topics as consciousness, ritual, group dynamics, societal customs, and human response to natural phenomena.

Aspegren is largely known for his practices related to music and sound, which often play an integral part in his installations, images, videos, objects, and performances. Interested in the relational aesthetics of every form, he often uses interactive and collaborative methods of creation, as well as the practical application of those methods, such as his ongoing work with meditative practices — specifically the effects of sound waves and its effects on the human mind and physical matter of the body.

As a musician/ composer, he has performed hundreds of concerts worldwide, in addition to an extensive recorded discography. His artworks have been presented, commissioned, collected, and performed at institutions, museums, and galleries throughout Asia, Europe and North America.

Tap Chan born in Hong Kong, currently lives and works in Hong Kong. She received her B.A fine art from the Royal Melbourne Institute of Technology in 2011 and an M.A. in Visual Arts from the Hong Kong Baptist University in 2014. Her works mostly appear in the form of installations, videos and sculptures. She is interested in exploring the idea of liminality that is embedded in daily life, where the boundaries between fiction and reality are often blurred, like the undefined psychic and emotional ruptures experienced during bouts of insomnia. To construct a narrative of the subterranean mind that rumbles beneath the facade of modern existence. 

She was funded by Hong Kong Arts Development Council cultural exchange project in 2017 for her solo exhibition "A Soft Note" in Singapore and has participated in Hong Kong Sculpture Biennial 2016, a solo intervention “444”, group show "Underline" in Netherlands and is currently showing in Tai Kwun Contemporary HK.

Wu Jiaru is an artist who currently works and lives in Hong Kong. She obtained her BA in Fine Arts and English Language from Tsinghua University in 2014, and her MFA from the School of Creative Media in City University of Hong Kong in 2017.

She experiments with imagined spaces and social norms in forms of installation, moving images, printed edition, image synthesis, etc. Wu’s practice covers a wide range of topics, including cross-boundary facilities, literature, modern service industries, manufacturing industries and innovation and technology, romantic relationships, business environment, quality living, education and talent, regional cooperation plans, ecology, as well as mechanisms and arrangements. Wu has participated in many good group exhibitions and her art is in the collection of some important people and organisations.

Ying Kwok is an independent curator based in Hong Kong. She works with a diverse range of art and cultural institutions nationally and internationally, from artist’s initiatives, art festivals, to public museums and the commercial sector. Her research based curating often synthesizes different art forms in contemporary visual art, from site specific commissions, performances, to film and video. Kwok is the curator for Contagious Cities: Far Away, Too Close for Tai Kwun Contemporary and Wellcome Trust, the lead curator of LOOK International Photography Festival 2017, and curator at M+ for Samson Young: Songs for Disaster Relief as Hong Kong presentation at the 57th Venice Biennale. Before embarking on her independent career, Kwok was the curator at the Centre for Chinese Contemporary Art in Manchester UK, between 2006 and 2012. 

In 2014, Kwok was awarded the Asia Cultural Council Fellowship. She is an international fellow in the Clore Leadership Programme 2018/19. Apart from curating, Kwok also founded Art Appraisal Club with a group of local art professionals in 2014, in order to encourage critical thinking and initiating effective art discussions in Hong Kong. The group provides regular exhibition reviews and their articles are published in magazines, various cultural networks and their own bilingual journal, Art Review Hong Kong.