Tiger Liquor without Its Tail 虎酒無鞭
2022
Acrylic, ink on paper 塑膠彩和墨（紙本）
78 x 32 cm 厘米（Framed 已裝裱）
Unique 獨本
HKD 10,500
羅文樂 Law Man-Lok (HK)
Starting from drawing some figures but ending up creating conceptual arts, Law eventually dabbles from paintings to anything whimsical. With many mismatches, he is so versatile thanks to his curiosity about the world. He plans to settle down at HART Haus and slowly works on his “DIY aesthetic”.
初初只是想畫公仔，不知為何就成為了概念藝術，當中汲足了繪畫至古靈精怪想法。是一個很錯，而又對世界好奇的多門路嘅人類。在 Hart Haus 計劃靜下來，慢慢開始創作計劃了很久的「土炮美學」。
Dot to Dot
2022
Mixed medium on canvas 混合媒介布本
40 x 50 cm 厘米
Unique 獨版
HKD 4,500
Doris Ng 吳玳誼 (HK)
Currently residing in Hong Kong, Doris stages cultural symbols on paintings, photomontage and installations. With heightened colour and playful composition, her artwork re-frames the conformation of systems by evoking the silent absurdity in everyday life, revolving around sexuality and desire, religion, (post)colonialism, capitalism. Her work contains intimate narratives stemming from her agonies with migration, family turmoil and brain surgery, built upon her own socio-cultural identities and theoretical discourses.
Her recent exhibited work include Hide and Suck (2021), Icons (2021), Long Live the Queen! (2022), Very rude looking dessert (2022). Since 2020, she has joined HART Haus and Tung Nam Lou Art Hotel, Hong Kong. She has been working extensively in art and cultural community projects with The Lok Sin Tong Benevolent Society Hong Kong, Hong Kong Planner Institute, K11 MUSEA Nature Discovery Park, HART Hong Kong, Aroma office, HandsOn Hong Kong etc. She obtained a MA (Art and Cultural Enterprise) at the University of Arts London x HKU Space and a BBA at the Monash University.
吳玳誼現居香港，在繪畫、攝影蒙太奇和裝置上策劃文化符號。透過艷麗的顏色和具玩味的構圖，她的作品喚起日常生活中的靜默荒誕，將系統的構象重新嵌置，當中圍繞性向與慾望、宗教、（後）殖物、資本主義。她的作品包含親密的敍述，而她源於殖民主義、家族糾紛和大腦手術的痛苦根植其中，亦建基在她自身的社會文化身份和理論。
吳玳誼的近作包括《Hide and Suck》（2021）、《Icons》（2021）、《Long Live the Queen!》（2022）、《Very rude looking dessert》（2022）。自2020年起、她加入了HART Haus和東南樓藝術酒店。她亦廣泛地與藝術與文化社區計劃合作，包括樂善堂、香港規劃師學會、K11 MUSEA Nature Discovery Park、HART Hong Kong、香公所、HandsOn Hong Kong 等。她在倫敦藝術大學 x HKU Space 獲得文學碩士（藝術和文化企業），和在莫納什大學（Monash University）獲得 BBA。
black asteroids
2022
Ink and wax on paper 水墨和蠟（紙本）
30 x 25 cm 厘米（Framed 已裝裱）
Unique 獨本
HKD 4800
Stephanie Ng 吳芷瑩 (HK)
Stephanie Ng is a visual artist who is currently based in Hong Kong. She holds a BFA degree from Simon Fraser University in 2015; she obtained her MFA degree at Central Saint Martins in 2021. With immense interest in Architecture, her early works often commented on, drew attention to and interacted with surrounding space and architectural components. Her current practice aims to explore the expanding possibilities and boundaries between human relationships through colors, shapes and materiality.
吳芷瑩是一位視覺藝術家，現居於香港。 她於 2015 年獲得西門菲莎大學的藝術學士學位，並在 2021 年畢業於中央聖馬丁學院，取得藝術及文化企業文學碩士學位。她對建築學有著濃厚的興趣，她經常透過作品評論、關注四周的空間和建築，並與其組成互動。她目前的實踐通過顏色、形狀和物質來探索人際關係之間不斷擴大的可能性和界限。
Act One with Father: If, like the saying goes, we were lovers in a previous life and that makes us father & son in this one, perhaps I didn’t love you enough.
2021-22
Mixed media 混合媒介
38 x 27.8 x 2.5 cm 厘米
Unique 獨本
Sold 已賣出
Junk
2022
Mixed Media on Paper 混合媒介紙本
Five parts 五件, each 每件 30 x 37.2 x 4 cm 厘米 (framed 已裝裱)
Unique 獨本
Sold 已賣出
Self-Portrait
2021-22
Mixed media 混合媒介
38 x 27.5 x 2.7 cm 厘米
Unique 獨本
Sold 已賣出
Nicholas Wong 黃裕邦 (HK)
Nicholas Wong is the author of Crevasse (Kaya Press, 2015), the winner of the Lambda Literary Award for Gay Poetry, and Besiege Me (Noemi Press, 2021). He is also the recipient of the Australian Book Review’s Peter Porter Poetry Prize. His has contributed writings to projects by the Solomon R. Guggenheim Museum and Manchester International Festival. He currently translates poetry by contemporary Taiwanese poet Sun Tzu-Ping.
Nicholas has a background in English poetry writing, but the dimension of the page starts to bore him. He attempts to explore ways to creatively "translate" his own works into visual mediums. His visual outputs to be made during his time at HART Haus may be text-based, text-integrated, or text-induced, with an emphasis on the dynamics between imagery and texture, tonality and medium.
黃裕邦，本地詩人，詩集包括《Besiege Me》（英文，2021），《天裂》（中文，2018）及贏得美國 Lambda Literary Awards 的《Crevasse》（英文，2015〉。
雖然從英文詩詞寫作出身，但頁面的維度逐漸令他感到乏味。他因而嘗試尋找其他表達自我的方式——把詩作「翻譯」為視覺元素。他在 HART Haus 所作的視覺輸出中，有是基於文本的，有些是與文本相融，也有些是文本所催生的。不論是哪種輸出，他都強調著圖像紋理、色調和媒介之間的互動。
,,will _ print“
2021
Inkjet print, reflective spray, pencil and red ink on handmade paper, handmade envelope and acrylic frame 噴墨式打印、反光物料、鉛筆、紅墨水、手造紙、手造信封、壓克力框
Paper size 紙尺寸 11.5 x 17.0 cm 厘米
Envelope size 信封尺寸 12 x 18 cm 厘米
Frame size 裝裱尺寸 19.5 x 14.5 x 2.4 cm 厘米
Edition of 9 + AP 版本：9 + AP
HKD 4,200
,,the death of Lao She_text“
2020
Inkjet print on paper and handmade envelope 噴墨式打印（紙本）、手製信封
Paper size 紙尺寸 30 x 19.5 cm 厘米 (4 pages 頁)
Envelope size 相封尺寸 20 x 9 cm 厘米
Edition of 9 + AP 版本：9 + AP
HKD 6,400
Wu Jiaru 吳佳儒
Wu Jiaru is an artist who currently works and lives in Hong Kong. She obtained her BA in Fine Arts and English Language from Tsinghua University in 2014, and her MFA from the School of Creative Media in City University of Hong Kong in 2017.
She experiments with imagined spaces and social norms in forms of installation, moving images, printed edition, image synthesis, etc. Wu’s practice covers a wide range of topics, including cross-boundary facilities, literature, modern service industries, manufacturing industries and innovation and technology, romantic relationships, business environment, quality living, education and talent, regional cooperation plans, ecology, as well as mechanisms and arrangements. Wu has participated in many good group exhibitions and her art is in the collection of some important people and organisations.
吳佳儒目前工作生活於香港。她2014年於清華大學獲藝術與英語學士雙學位，並於2017 年取得香港城市大學創意媒體碩士學位。以裝置、影像、複製版本、渲染圖像等形式實驗於想象空間與社會現象之間。吳氏作品涵蓋範圍廣泛，包括跨界設施、 文學、現代服務業、製造業及科技創新、羅曼蒂克關係、營商環境、優質生活、教育與人才、區域合作規劃、生態學、神秘學，以及機制安排等。她的作品曾被多次展出，更被重要人物和機構納入收藏。