Quite a few established institutions in Hong Kong have addressed the needs for professional training for individuals, who are interested to learn the role of art administrator and art managers, but there are very few continuous discussions and explorations for such demands. For this very brief 105 minutes encounter that we are to co-create at HART Haus, let us discover a few aspects of this subject matter:

  • How ‘all-rounded’ should an art administrator/manager be – and why the role is expected to perform in such a way?

  • How many types of art administrators/ managers are there in Hong Kong? – A general overview

  • The myths of the art world in the eyes of an art manager – let us start with a keyword hunting game

There are quite a lot of other facets and scopes of arts and cultural management that we will not touch upon, such as fund-raising for projects or very specific fields like professional lighting design for a staged performance, which pin-point our target audience: yes, you! Who have a strong urge to learn about the vocation – perhaps you are a professional nurse, stylist, shop owner; or a local fresh arts graduate, or a practitioner in our field questioning yourself everyday about our industry – together let us drive an enjoyable conversation at the studio.

Carrying on some of the similar topics covered at our May 4th sharing, additional to this session, we hope you will gain more passion and guts to take up more challenges that HART offers in the near future: a short course consisting of 5 sessions is on the way, stay tuned!

Date: August 23, 2019 (Friday)
Time: 7pm-9pm
Venue: HART Haus, 3/F, Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town, Hong Kong
Language: Cantonese/English, subject to participants’ needs
Free admission


Jeannie WU (Director of HART)

Experienced Consultant with a Master of Arts focused in Literary & Cultural Studies from The University of Hong Kong, and a demonstrated history of working in the management consulting industry. Wu’s role as an art dealer at Vermillion Art Collections allowed Wu to gain insight in depth into contemporary art collecting and connect closely with artists, in particular helping renowned local artist ‘Frog King’ to organise his studio. She actively engaged in various large-scale projects as Project Officer at Hong Kong Arts Centre such as ‘Hong Kong Short Film: New Action Express’. Wu then further expanded and consolidated her network within the local art scene during her freelance work supporting the artist-run initiative Painting On and On. After 4 years of working as Personal Assistant to collector/consultant/curator William Zhao, Wu took up key positions at K11 Art Foundation as Cultural Manager and now, HART Collective as Director to lead within the art and cultural industry, break boundaries and connect creative talents within the network.

現時香港頗多專業機構有提供針對藝術行政管理有興趣人士的訓練課程,但繼續討論及發掘這專門行業的需求實在很小。HART 希望透過一節 105 分鐘的共創體驗,跟參與者探索以下專題:

  • 為何藝術行政管理人員需要非常「全面」?應如何傳譯這項「全面」?

  • 概括而言,香港有幾多種藝術行政管理?

  • 專業人員眼中大眾對藝術行業的謎思 - 不如由關鍵字狩獵遊戲開始

 當然我們不能對藝術文化行政管理一門專業的其他面向作整體介紹,例如項目資金籌集或表演舞臺燈光設計等…… 但這正正清楚表明我們是次活動的目標人物:對,是你/妳啊!註冊護士、專業形象設計、某區店長,新鮮滾熱辣的藝術學校畢業生,或已開始在行內工作但又常自問業界情況動態的,在這個晚上活動多作交流、享受此工作室給你的點滴衝擊吧。 

承先前 5月4日的節目,加上這環節的推進,希望你儲備充足的好奇心和熱情,去參加將舉辦為期 5天的啟後課程:請多留意關注 HART!



胡津如 (HART 總監)

胡氏畢業於香港大學(The University of Hong Kong),獲取文學碩士學位。作為資深藝術顧問,胡氏擁有多年藝術行政管理和節目統籌的專業經驗。胡氏曾於 Vermillion Art Collections 擔當藝術代理人一職,從中建立對現代藝術收藏的獨特見解,更與藝術家緊密合作,例如替著名本地藝術家「蛙王」管理工作室。於香港藝術中心工作期間,胡氏以項目主任的身分積極參與了不少大型節目,包括〈香港短片新里程〉;亦在本地藝術家發起的〈繪畫大道中〉計劃中,以自由工作者身分管理項目,並繼續擴展本地藝術圈網絡。其後四年,胡氏更成為藝術收藏家/顧問/策展人 William Zhao 的私人助理,更擔任關鍵職位,如 K11 Art Foundation 藝術文化發展經理,現為 HART 總監,銳意致力推廣藝術文化,打破界線,以創意思維連繫藝術人才。

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